writing

No Such Thing as Writer's Block

When I was a freshman in college, someone once said that there was no such thing as writer's block. I was so annoyed by his words and the surety with which he spoke that I can clearly remember narrowing my eyes up at him and trying to figure out if he was just attempting to get a rise out of everyone or simply being pretentious. The school I went to was full of people pretending to be much better at their creative craft than they really were, and the writer's group I attended only once was certainly no exception. There was no mirth in his expression, however, no slight upturn to his lips, no hidden amusement in his eyes. He was dead serious. Someone asked him to explain.

“A true writer is never blocked,” he continued, satisfied by the attention he'd drawn. “Perhaps he may be momentarily stunted on a particular piece, but all he has to do is take a step outside, sit down with a cup of coffee outside a cafe, watch people as they pass, and the muses will come. Will they be for the same piece in which he struggles? Not necessarily. But the muses will come, and write he will find he must. He is not blocked, only redirected.”

I may be adding a little eloquence to the words that were spoken that night, but the message is still the same and it's something I've never forgotten. As much as I thought he really was pretentious at the time, he wasn't wrong. I may not have recognized it then but I certainly do now, years later.

People watching has always been something I have loved to do, especially at a public venue or event like the Highland Games, a concert, or waiting to be seated at a restaurant. You see little things that you can employ in character development that makes them more real to the reader: the way someone plays with their nails while trying to make a decision; the stride of someone whose left leg is just a little shorter than the right; the small, secret smile of someone who's just remembered something that instantly makes them happy and then immediately makes them sad for some reason. People are fascinating creatures and they spark all sorts of creative inspiration in all of us artsy-fartsy types. There have been times when I have been deep into more than one project at once and cement blocked on all of them, but I step away to just observe and the proverbial muses swirl around me as I see and hear and smell and experience creativity all around me. And before I know it, another story idea is being born.

It's the little things. Sometimes, it's the unexpected things. Driving down the road and seeing a man raking the leaves, falling to his knees before the pile he's created. Is he weeping? Did he just drop something that he now has to find? Is he having a health crisis? So much possibility that passes by in the space of time it takes to zip through a green light. The sound of a congregation all turning the pages of their Bibles at once can take you out of the sanctuary as it mimics the soft patter of rain falling on a tin roof in the middle of a cold night. Even the hum of silence can stir up the most ominous of feelings within us, painting before our closed eyes scenes of terror that simply must be put into words, or brushed across a canvas, or put to a rhythm for our bodies to follow. We are, as they say, slaves to inspiration. It comes when it will with no thoughts or care as to where we are, who we are with, or how inconvenient it may or may not be.

One of the areas by which I have always been most inspired is music. My favorite type of musicians are the storytellers who happen to be singing their stories rather than telling them in book format. Artists like Carrie Underwood, Sara Bareilles, and Sia who don't just sing love songs but take us through an introduction to a character, a conflict, a climax, and sometimes — but not always — a resolution. Those are my favorite songs. I think that's part of the reason why I always loved Josh Groban as well. Aside from his amazing voice, each of his songs — the ones that were in English so that I actually understood what was being sung — was a story.

In 2006, Josh came out with his third album, Awake, and on it was one of my all time favorite songs of his. It is still one of my top three even twelve years later and has inspired many romantic fantasies and scenes that were never used in various projects. The song is called “So She Dances,” and I am determined to still use the inspiration that song arouses someday, somewhere, because it is so precious to me. From the first time I heard it, I could see the entire moment as clear as day. The faces within the scene always change but my setting never has, and it has never lost its thrill. There are other songs of his that evoke emotion like that within me as well like “Broken Vow” and “Remember When It Rained.” More recently “Happy in My Heartache” is just... I can't explain why that song effects me the way it does. But still, nothing has quite reached the level of “So She Dances.”

 

There is no such thing as writer's block. Only redirection. It's something I have to tell myself the next time I get frustrated by the lack of forward motion on any given project. Just because I'm stuck in one place doesn't mean I'm stuck everywhere. Maybe I need to be moving forward somewhere else until it's time for me to be moving forward again in the other place. Kind of like life.

I want to apologize for my long hiatus, dear readers. It was unexpected and I'm going to work my hardest to get back into the weekly Wednesday updates. Thank you for your patience and understanding. It's good to be back with you.

So, for those of you creative types out there, what do you do to battle creativity block?

My Writing Process

Writing original fiction is very different from fanfic in a lot of ways. You don't have established characters, settings, relationships, etc. that you know well. It's all coming from you so you have to get to know them. Sometimes I write little one-shots to flesh them out a bit, see how they interact with others and such. Don't be surprised if you have one thing in mind for a character and they turn out to be something else. One of the characters in my series, Cavalon, was meant to be quiet, reserved, wise and very much in the background. He decided he was going to be annoying, snarcastic, narcissistic, and very much not in the background. I had to reel him in so he didn't steal the spotlight from the main character too much. Which sounds funny but it's true. They take on lives of their own.

For this particular book I just wrote with very little plan in mind. In the end it worked out but I wish I had done it differently. I am now a big advocate of planning out things because it leaves less room for plot holes. Here is what I did for a project I am working on right now.

Once I know what I want to write about, I write down what I know. Names, relationships, anything about setting and scenes. It doesn't have to be in order and it doesn't have to be complete. Just get down what you know so you don't lose it. Trust me, you'll be glad you did. Also make use of a recorder when driving. A lot of stuff comes to me when I'm driving alone and I record it on my phone so I don't lose it. These are the things that are inspiring you to write in the first place so it's so important that you don't lose any of it.

Make a list of characters: Protagonists, Antagonists, and Power Players. The Power Players are important characters to the plot who neither lean too much to good or bad. But they are integral and their absence would disrupt things. Think Discord in MLP after his reformation, or even Kristoff in Frozen who is neither expressly good or bad. Dumbledor is another good example of what a Power Player can be. He is mostly good, definitely not a main character, but important none the less.

Just jot down what you know about them for now, find detailed character sheets online to fill out about them when you get stuck in the planning. Which will happen. Trust me.

Now for the plot. Believe it or not, ending is more important than beginning. If it's just a one story deal, write down where it will end and what is happening, how everything comes together for the great resolve. If it is part of a larger series, now write down these very same things for the overall series. Now figure out the beginning of just that first book. Once that is done, you have a nice shell to work within, But you still need a setting and genre to make things complete.

Are you writing a love story? An adventure? Mystery? It can be more than one but it should focus more toward one than another. That is what will drive your story and keep it from being swept up in needless scenes.

Your setting involves a lot more than landscape, especially if you're writing sci-fi or fantasy. You need to know your magical system, your political system, relations between countries - if there are grudges being held, alliances - who is in power. What is the level of technology, currency, things like this. This part is fun because you're building a world!

Now you start asking yourself "What comes next?" a lot. Look at the basic shell you've created and start filling in scenes. Start at the beginning and ask yourself that question. Write down the answer. Ask again. Rinse and repeat. If you get stuck, find a different scene and ask, "How did it get here?" meaning, what happened just prior to this that made it end up here? If you get really stuck, work on some character sheets for awhile. Spend time with them. Get to know the people whose lives you're playing with. Things will begin to come to you, I promise.

Eventually you will have a brilliant list of scenes and a hefty file full of character sheets. Now it's time to break things down into chapters. A chapter can consist of anywhere from 2-5 scenes, depending on dramatic tension and action. Do this until all of the important scenes you wanted are mapped out and in order of plot progression. Keep going until you have your entire book mapped out from beginning to end, then read it through a couple of times to make sure it flows right. Can you picture it all happening naturally? Does something stick out as not really belonging? Are there moments that drag and have no real importance? There are need to know things.

Once you are comfortable with that, get writing! You already have a map, now it's time to get behind the wheel and drive. It's a fantastic journey that will make you laugh, maybe make you cry, definitely make you want to kill someone (fictional or not) at least twice. And when you reach the end you'll feel like you're saying goodbye to friends you've known your entire life, even if there is another book with them coming.